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To answer them would be akin to mounting a defense of the short story—one surely could, but it would be a self-defeating exercise.The very nature of fiction is to be less bothered with usefulness than with possibility.
But this is a benign urban concept—Very Large Structure relocates regularly so as to not deplete the resources of its surroundings.
In fact, it’s something of a nurturing terraformer, leaving behind ecologically rejuvenated areas when it moves on.
This includes, but is not limited to, science fiction, fantasy, superhero fiction, horror, utopian and dystopian fiction, fairytale fantasy, supernatural fiction as well as combinations thereof (e.g. Speculative fiction can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed are now known, since ancient Greek dramatists such as Euripides (ca. The creation of speculative fiction in its general sense of hypothetical history, explanation, or ahistorical storytelling has also been attributed to authors in ostensibly non-fiction mode since as early as Herodotus of Halicarnassus (fl.
480–406 BCE) whose play Medea seems to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure, as when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid across time and space in the Fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. 5th century BCE), in his Histories, These examples highlight the caveat that many works now regarded as intentional or unintentional speculative fiction long predate the coining of the genre term; its concept in its broadest sense captures both a conscious and unconscious aspect of human psychology in making sense of the world, and responding to it by creating imaginative, inventive, and artistic expressions.
broke out of genre conventions to push the boundaries of "Speculative Fiction." The term "suppositional fiction" is sometimes used as a sub-category designating fiction in which characters and stories are constrained by an internally consistent world, but not necessarily one defined by any particular genre. Villains may be either supernatural, such as monsters, vampires, ghosts and demons, or mundane people, such as psychopathic and cruel murderers. Centers on superheroes (i.e., heroes with extraordinary abilities or powers) and their fight against evil forces such as supervillains.
Features technologies and other elements that do not exist in real life but may be supposed to be created or discovered in the future through scientific advancement, such as advanced robots, interstellar travel, aliens, time travel, mutants and cyborgs. Typically incorporates elements of science fiction or fantasy, and may be a subgenre of them.Chupan Chupai by Factory Fifteen, for the Future Perfect exhibition The title of this piece translates to “Hide-and-seek,” the game in this case being played by children in a digitally enhanced version of a North Indian city.A giant supercomputer (indicative of India’s future as a “technological and economic superpower”) controls the environment, allowing the kids to manipulate their surroundings in real time, creating staircases out of ancient walls, for instance.As far as we know, the writer Bruce Sterling coined the term “architecture fiction,” in 2006.He was referring, of course, to speculative projects in which architects use ideas for the built environment to express themselves in a way that’s analogous to how storytellers use words. Sterling cites the polemic work of the 1960s British group Archigram; the canon includes Lebbeus Woods’s drawings from the two decades that followed and Greg Lynn’s digital imaginings (one of which accompanied a short story by Sterling, in Metropolis’s 2003 Fiction Issue).However, some writers, such as Margaret Atwood, continue to distinguish "speculative fiction" specifically as a "no Martians" type of science fiction, "about things that really could happen." According to publisher statistics, men outnumber women about two to one among English-language speculative fiction writers aiming for professional publication.However, the percentages vary considerably by genre, with women outnumbering men in the fields of urban fantasy, paranormal romance and young adult fiction.) and in several other contexts.In the article, Heinlein used "Speculative Fiction" as a synonym for "science fiction"; in a later piece, he explicitly stated that his use of the term did not include fantasy.However, though Heinlein may have come up with the term on his own, there are earlier citations: a piece in Lippincott's Monthly Magazine in 1889 used the term in reference to Edward Bellamy's Looking Backward: 2000–1887 and other works; and one in the May 1900 issue of The Bookman said that John Uri Lloyd's Etidorhpa, The End of the Earth had "created a great deal of discussion among people interested in speculative fiction".What kind of community would grow to manage this new industry, based in a troubled tropical paradise instead of a desert in the Middle East?Westerdahl’s delicate line drawings depict, among other things, a Center for Nature Rights and the underbelly of a floating village (above), all kissed by the golden grace of a zero-carbon energy source.