Literature Review Essay Cold War

Literature Review Essay Cold War-19
One of the most recurrent tropes in the US fiction emerging out of the experience of the War in Vietnam is the description of the feeling of estrangement of the soldiers.Thrown into a hostile and inscrutable landscape, deprived of the...This opera, based on the 1898 short story by John Luther Long, tells the tragic story of a young Japanese geisha and her American naval officer lover, who fathers her child before returning home.

more The Vietnam War, homosexual extramarital affairs, and the Japanese geisha.

These three seemingly unrelated phenomena all collide when reviewing the multiple artistic endeavors that sprouted out of Giacomo Puccini’s Madama Butterfly (1904).

Butterfly on Broadway and then travel just a few blocks to the Metropolitan Opera to see Puccini’s masterpiece that started it all 113 years earlier.

However, this original masterpiece has been scolded, by scholars and laymen alike, for perpetuating stereotypes of Asian women as weak, submissive, hyper-sexualized, and enchantingly exotic.

War and tourism have generally been viewed by scholars as mutually incompatible.

Nevertheless armies charged with prosecuting warfare have often indulged in tourist-like activity as soldiers are given opportunities to travel and...

Published during the war in Vietnam, the novel was one of the most successful examples of the new forms of mass...

more This essay develops a reading of Bùi Anh Tuấn’s Ian Fleming–inspired Specter over Red Square (Bóng Ma trên Công Trường Đỏ).

more Nahoko Uehashi et Noriko Ogiwara « Le Cycle de Terremer et nous : la succession de la littérature de l’imaginaire », Akemi Tanigaki « Mme Le Guin à l’été de la Saint-Martin », Haluna Ikezawa « Les mots des dragons », Mari Kotani « Le poète voyant », Yoshio Nakano « De l’Elfland au Cycle de Terremer », Moto Hagio « L’éternelle Le Guin », Yumiko Shirai « Le Guin, la femme pionnière », Hajime Oowada « La Main gauche de la nuit, qui a bouleversé le monde », Hajime Yokota « L’absence de passages à Rer », Shitone Sakamaki « Dialogue spéculatif entre Le Guin et Donna Haraway », Satoko Kono « Sur les dépossédés », Ryu Itose « Autour des romans utopiques d’Ursula Le Guin », Masako Shimizu « Les promenades dans le Cycle de Terremer », Ritsuko Sambe « L’évolution du Cycle de Terremer », Mayako Teramura « L’ange sauvage », Hiroko Taniyama « Cœur de jeune fille dans les Tombeaux d’Atuan », Sayuri Ueda « À propos de la marche sur le chemin différent au même endroit », Noboru Yasuda « Un acteur Nô, lecteur du Cycle de Terremer », Marie Sato « Les noms, les ombres et les retours chez Le Guin », Yui Tanizaki « Le petit univers et la colère », Ai Nishida « Belle histoire fausse », Hikaru Fujii « Le Guin et l’époque de la créativité », Hanako Takayama « Romance », Yu Okubo « Le Guin, les dernières années », Masayuki Tsuda « Le Guin et la littérature mondiale », Kyoko Nakanishi « Le Guin et le rêve de la République des lettres », Yasuhiro Katsumata « Histoire infinissable de Lavinia », Dohjin Miyamoto « Les traductions japonaises d’Ursula Le Guin ».

This essay develops a reading of Bùi Anh Tuấn’s Ian Fleming–inspired Specter over Red Square (Bóng Ma trên Công Trường Đỏ).


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