Irish Essays Phrases

Cameron Mackintosh’s four shows (“Cats,” “Les Misérables,” “The Phantom of the Opera,” and “Miss Saigon”) have run on Broadway for more than 62 years total and, internationally, have made more money than these four movies — STAR WARS, RAIDERS OF THE LOST ARK, JURASSIC PARK, and TITANIC — put together.But the rising costs of originating a show have driven away more independent individual producers and opened the field for corporations like the Walt Disney Co.

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This amount must not only cover getting the show to opening night but also create a financial cushion for several weeks or months until the show catches on with audiences.The producer will rarely spend his own money; he raises it from investors — usually called backers or “angels,” for obvious reasons — and pays himself a salary.If the show is a success and makes back its initial expenditure (recoupment), investors get whatever percentage of their contributed amount back in profits. ” in 1943 and it cost 0,000 to produce, you would get 1 percent of the profits after recoupment (distributed weekly). ” had flopped, you would have lost all your money; luckily, the show was a big hit: anyone who did invest

This amount must not only cover getting the show to opening night but also create a financial cushion for several weeks or months until the show catches on with audiences.

The producer will rarely spend his own money; he raises it from investors — usually called backers or “angels,” for obvious reasons — and pays himself a salary.

If the show is a success and makes back its initial expenditure (recoupment), investors get whatever percentage of their contributed amount back in profits. ” in 1943 and it cost $100,000 to produce, you would get 1 percent of the profits after recoupment (distributed weekly). ” had flopped, you would have lost all your money; luckily, the show was a big hit: anyone who did invest $1,000 received $2.5 million!

Complicated and often inflammatory, the craft of producing a Broadway show involves knowing the public’s tastes (and usually challenging it), raising capital, battling societal trends — all on the most expensive real estate in the most fractious city in the world.

And, finally, there is the dissemination of the musical, which encompasses a vast narrative of communications and the media.

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This amount must not only cover getting the show to opening night but also create a financial cushion for several weeks or months until the show catches on with audiences.The producer will rarely spend his own money; he raises it from investors — usually called backers or “angels,” for obvious reasons — and pays himself a salary.If the show is a success and makes back its initial expenditure (recoupment), investors get whatever percentage of their contributed amount back in profits. ” in 1943 and it cost $100,000 to produce, you would get 1 percent of the profits after recoupment (distributed weekly). ” had flopped, you would have lost all your money; luckily, the show was a big hit: anyone who did invest $1,000 received $2.5 million!Complicated and often inflammatory, the craft of producing a Broadway show involves knowing the public’s tastes (and usually challenging it), raising capital, battling societal trends — all on the most expensive real estate in the most fractious city in the world.And, finally, there is the dissemination of the musical, which encompasses a vast narrative of communications and the media.This narrative spine has made the musical quite influential as a cultural and artistic force; from the epic Kern-Hammerstein “Show Boat” and its view of race relations (1927) to “Oklahoma!” (1943) through “West Side Story” (1957), “Hair” and its antiwar sentiments (1967), “Company” (1970), and “Rent” (1996), the themes of prominent Broadway musicals reflected the controversial, revolutionary, and nostalgic issues of an evolving American culture.Yet, still, the elements that constitute the musical don’t end there.The production of the musical is an art form itself.In fact, in the past, there were separate dancing and singing choruses; now everyone is expected to do it all.Star performers like Bernadette Peters, Brian Stokes Mitchell, and Nathan Lane appear to have limitless talents.

,000 received .5 million!Complicated and often inflammatory, the craft of producing a Broadway show involves knowing the public’s tastes (and usually challenging it), raising capital, battling societal trends — all on the most expensive real estate in the most fractious city in the world.And, finally, there is the dissemination of the musical, which encompasses a vast narrative of communications and the media.This narrative spine has made the musical quite influential as a cultural and artistic force; from the epic Kern-Hammerstein “Show Boat” and its view of race relations (1927) to “Oklahoma!” (1943) through “West Side Story” (1957), “Hair” and its antiwar sentiments (1967), “Company” (1970), and “Rent” (1996), the themes of prominent Broadway musicals reflected the controversial, revolutionary, and nostalgic issues of an evolving American culture.Yet, still, the elements that constitute the musical don’t end there.The production of the musical is an art form itself.In fact, in the past, there were separate dancing and singing choruses; now everyone is expected to do it all.Star performers like Bernadette Peters, Brian Stokes Mitchell, and Nathan Lane appear to have limitless talents.

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