When you look at one experience and another one looks back at you, that’s a reflection.
Hence the title of his book.” She then leaned over, took my hand in hers, and gave me a kiss on the forehead, as if to wish me good luck.
More recently, she has written novels set in Australia’s past, revisiting and re-imagining colonial encounters between settlers and Indigenous Australians.
This collection of essays includes a scholarly introduction and three new essays that reflect on Grenville’s work in relation to her approach to feminism, her role as public intellectual and her books on writing.
I have, at times, been asked how the wars changed me. Unconsciously, that had become the arc of my journalism and it became the arc of my book, which became Places and Names: On War, Revolution, and Returning.
And, of course, the dedication of that book reads: “For Chui, who told me to write it.” , among other publications, and his stories have been included in The Best American Short Stories series.It’s entirely possible that the editors of these publications will welcome something more along the lines of 500 or 800 words.But unless I’ve discerned a *specific* editorial interest in shorter-form nonfiction–whether through my own research into guidelines and past issues or through sources listed at the end of the post–I haven’t included them here.First, this list by no means includes *every* journal or magazine that might publish your piece of flash nonfiction.For the most part, I’ve omitted publications that specify only that submitted essays should run “no longer than” or “up to” 5,000 or 8,000 words.Over the next few months, I gathered up all of my work, tens of thousands of words, the dispatches I’d made on everything from meeting a former member of Al-Qaeda in Iraq, to the Islamic State’s sweep into Mosul, to the release of Bowe Bergdahl, to the disillusionment of Syrian democratic activists, and on and on. Then it occurred to me that they traveled in a circle. And I began to see how I’d come back to the region because I wanted to understand that center point from every possible vantage.If this was going to be a book, I needed to find a shape to the writing. And although no point on a circle’s circumference is the same, every point on that circumference has a common center. To look at a subject from all angles requires us to make a circle around it.Chui wasn’t talking about the novel; she was talking about those dispatches. I had spent most of my twenties and some of my thirties fighting in Iraq and Afghanistan.In my journalism, Chui could see that as I was attempting to understand the trajectory of events unfolding inside of Syria, I was, in tandem, wrestling to understand events from a decade before, during my own wars. “Burke didn’t write about the British disaster in America by taking the topic head on; instead, he wrote about another revolution to understand the failures of a decade before.I had no idea that I was writing a book, let alone a memoir.I had already been covering the wars in Syria and Iraq for a couple of years when I found myself in London over a weekend with my girlfriend, Lea, whom everyone calls Chui.